The very first performance of new work-in-progress by Anna Lublina, followed by a post-performance discussion.
This research seeks to access ancestral knowledge through synchronization: a process of syncing one’s body rhythms with the rhythms of other people, objects or environments. Emerging from archival research on different forms of shared Jewish-Muslim rhythm—Uzbeki Shashmaqam music, prayer, agricultural practices, etc.— we explore tap dance, extended vocal techniques and live mixing to embody specific rhythms and synchronize with the worlds they emerge from.
How do these rhythms from historical moments of Muslim-Jewish conviviality generate different physicalities, states, tensions or intelligences in our bodies? What can these convivial rhythms teach us in a time marked by separation and violence?
Created and performed by Anna Lublina and Samuel Hatchwell (hoyah) | Dramaturgy by Gry Tingskog